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Snap Shots: by Harry Flashman
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Digitally polarized
Weekend photographers who used polarizing filters in the days of film (remember
waiting anxiously outside the one hour D&P shop for your prints?) have strangely
seemed to avoid this filter for their digital cameras, especially DSLR’s.
Whilst there are no polarizer advantages unique to digital cameras, digital
cameras with limited dynamic range can benefit greatly from the selective
suppression of excess contrast. Due to the limited UV sensitivity found in most
digital cameras, polarizers also work well for haze control, especially with the
haze we have in Thailand, thank you Malaysia.
Quality polarizing filters are different from most others in the fact that they
are made up of two distinct elements. There is an outer ring that rotates the
outer “glass” relative to the inner element. This increases or reduces the
degree of polarization to allow the photographer an endless range of polarized
effects from one filter.
The principal behind these filters is to remove reflections, and funnily enough
it is reflections that take the color out of color photography. Look at the
surface of a swimming pool, for example - a shiny white, non-transparent
surface. Now look through a polarizing filter and you can see right down to the
tiles on the bottom of the pool. And the people frolicking in the pool!
What you have to understand now is that these filters remove reflections from
any surface, not just water. The reason you cannot see through some normally
transparent windows is because of reflected images on the surface of the glass.
The reason some tree leaves appear to lose their color is through reflected
light from the sky above.
One of the traps for young photographers is that because you know the grass is
green, you see it as green when you look through the camera viewfinder - even
though it is not truly well saturated green. Look again at the scene in the
viewfinder. The green grass is really a mixture of green and silvery
reflections, dark shadows and pale green shoots. Put the polarizing filter on
the lens and slowly rotate the outer ring. Suddenly the silvery reflections
disappear and become a deep, solid green color. The grass is now made up of
green, dark green and pale green. This green will really leap out at you and
smack you fair between the eyes!
Your next beach scene when taken with a polarizer will really amaze you. Again,
slowly rotate the outer ring on the polarizer. Look critically through the
viewfinder and you will see the sky take on a much deeper color to highlight the
white clouds. Keep turning that outer ring and the sea will change to a deep
blue to green luminescent hue. The end result is at your command. Try taking the
same shot this weekend, but with varying degrees of polarization and see the
differences in the final shots.
So, if the polarizer is such a wonderful bit of gear, why do we not make it a
standard piece of equipment on all cameras? Well, like everything, there is a
downside as well as the upside. In the case of the polarizer it does its bit of
brilliance at the expense of the amount of light that gets through the lens.
With most polarizing filters you will lose about one and a half stops of light.
What this means is that the shutter speed will be at least twice as long to
record the same scene, or that the aperture will have to be twice the size. This
means that you are more likely to get camera shake effects and suffer from lack
of depth of field when using the polarizer. However, with shots in the bright
sun, a polarizer will bring a new dimension to your shots.
When using any filter on your camera, I suggest you use a stepping ring to
increase the diameter of the filter, so there are no unwanted vignetting
effects, especially with wide angle settings. My regular camera has a 55 mm
diameter lens, which I have then stepped up to 62 mm so takes all my old
filters. This is really a good idea and also cuts down the number of lens
adapters you will need. Including the polarizer.
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