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Bookazine Book Review
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Movie Review
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Bookazine Book Review: Stone Gods, Wooden Elephants
by Lang Reid
This week’s review is of a suspense novel set in SE
Asia, written by an Asia old hand, Bob Bergin. Stone Gods, Wooden
Elephants (ISBN 1-5702-3177-X) deals with intrigue in the antiquity trade.
The author is a man who deals in Asian art, so he does know what he is
writing about, giving an extra dimension to a work of fiction. Real
knowledge of a subject gives reality to the prose.
Early
in the piece I warmed to the principal character Harry Ross who explained
his early infatuation with Asia as a “drawn out affair where love was
tempered by bouts of profound incomprehension.” With that alone, every
farang reader is behind him.
The initial quarter of the book takes you to Northern
Thailand where Harry Ross and his compatriot called Aloysius (pronounced
“Alowishus”, except by the Thais as “Al-owitchet”) go from Bangkok
into the uncharted wilds looking for a lost city. In the lost city they
find a veritable treasure trove of Asian antiques, which rather than
disclose and then run the risk of losing to the Thai Fine Arts Department,
they decide to sell throughout the world with a simultaneous global plan
so as not to depress the market.
The next section of the book brings in a “retired”
Japanese Army officer, who despite having been involved in the Death
Railway has somehow inveigled himself into a position of power in Thai
society. This seems a little far-fetched for my simple mind, but then
again, I do not travel in the higher strata of Thai business. The Anti
Money Laundering Office (AMLO) does not even know my name, I am that
unimportant!
By half way through the book, the first small shipment
has reached Harry Ross’ office in America and almost by the next page
Harry is one point six million dollars richer.
The return to Thailand for fresh supplies brings in a
couple of “baddies” and an elephant pack with non-Thai speaking Karen
tribesmen as the bodyguards for the pair of antique buccaneers. These are
closely followed by the Thai police section associated with the
aforementioned Fine Arts Department.
The “chase” proper begins about this time with
pursuits on land, via helicopter and long tail boat. The pages are dotted
with “goodies”, pseudo goodies and some definitely bad “baddies”.
At some stages it begins to become hard to remember just who is chasing
who, the pace becomes so frantic.
In the final chapters of the book comes the denouement,
which is not as you would imagine, and to my mind it was a little trite.
The romantic interest which had been woven through the story was just left
to wither, the good guys didn’t really win and the bad guys didn’t get
their comeuppance either.
The review copy was made available by Bookazine, 1st floor Royal Garden
Plaza next to Black Canyon and Boots, and has an RRP of 595 baht. It was a
long read and I honestly felt that author Bergin could have told the story
with greater economy. Nevertheless, it was a thriller in the grand manner,
albeit a tad too long.
Movie Review: Road to Perdition
By Poppy
The story opens with young Michael Sullivan Jr. facing
out to the sea thinking about one of the best men to ever live and one of
the most evil - his father.
The
story revolves around crime boss John Rooney (Paul Newman) and Michael
Sullivan (Tom Hanks), the young man Rooney once took in and who now serves
as his personal “Angel of Death.” Rooney is tied by blood to his own
son, but tied by love and loyalty to Michael.
Young Michael Jr., intrigued by the stories he reads,
steals away in his father’s car one night while Dad goes off to
“work” with Connor Rooney, heir to the family “business.” Connor
lets the situation get out of hand, and what was meant only to be a
warning turns into murder - witnessed by Michael Jr. When they discover
that young Michael has seen what he should not have seen, the plot is set
in motion as conflicting loyalties collide. Soon, Michael Sr. is on the
run with his young son, pursued by contract killer Harlen “The
Reporter” Maguire (Jude Law).
Tom Hanks gives a fine performance and 77-year-old Paul
Newman does a beautiful job with a hint of an Irish accent and all the joy
and pain in the world on his shoulders.
A tribute to gangster films of the 40s. Go see it!
Directed by Sam Mendes
Cast:
Tom Hanks ... Michael Sullivan
Paul Newman ... John Rooney
Jude Law ... Maguire
Tyler Hoechlin ... Michael Sullivan, Jr.
Jennifer Jason Leigh ... Annie Sullivan
Stanley Tucci ... Frank Nitti
Daniel Craig (I) ... Connor Rooney
Liam Aiken ... Peter Sullivan
Dylan Baker ... Alexander Rance
David Darlow ... Jack Kelly
Doug Spinuzza ... Calvino
Rob Maxey ... Drugstore Owner
James Currie (III) ... Factory Worker
Gene Janson ... Chief of Police
Mott’s CD review:
Gary Moore - We Want Moore
by Mott the Dog
***** 5 Stars Rating
It had been a multi coloured road for Gary Moore to
take his guitar before he reached the release of this live album in 1984.
After coming to England from Dublin with mates Noel
Bridgeman (drums) and Brush Shiels (bass and vocals) in the band Skid Row,
they went up and down the M.I. unloading and reloading their gear in every
possible location, building a solid reputation. Before Gary Moore’s axe
work came to the notice of fellow Irish rocker Phil Lynott (who had been
in a previous Skid Row before Moore joined) on the lookout for a lead
guitarist after Eric Bell had left Thin Lizzy leaving Lynott in the lurch.
For the next 6 years Gary Moore was in and out of Thin Lizzy like a Jack
in the Box displaying his dazzling skills, and cementing a reputation as
one of rock’s premier guitar slingers. In the interim Gary was also on 3
albums by Jon Hisemans Colosseum II, honing his skills in jazz rock
fusion, leaving Thin Lizzy for good in 1979. He started a solo career only
broken by a year’s stay in the Greg Lake Band where he drank deeply of
the blood of progressive rock. Disbanding his 1983 band to the winds, Gary
put this band together to record the album “Victims Of The Future” and
then went out on a massive world tour to promote it, recording concerts in
Detroit, London, Tokyo, and Glasgow, to put this album together.
Going
for the throat with an approach incorporating all the crash, bang, wallop
of heavy metal rock and his undoubted over the top skills on the axe,
these live recordings almost burn your speakers up.
The band Moore put together was nothing short of
magnificent. Right-hand man on keyboards, second guitar, vocals, and crowd
rabble Rouser was Neil Carter of U.F.O. / Wild Hoses and Gilbert ‘O’
Sullivan fame; on bass was Craig Gruber, ex Elf and Ritchie Blackmore’s
Rainbow; to complete the line up was Ian Paice, who has never played
better than on these recordings, although Ian left to be replaced by Bobby
Chouinard, when the call went out to reform Deep Purple.
When “We Want Moore” was first released you got the
album (six songs) with a free encore e. p. (four songs). Now in the days
of CD it’s possible to get the whole lot on one CD.
The songs from the main set don’t let up for a second
and in true eighties tradition Moore just blazes his fingers over them.
All of the songs are over 7 minutes long with extended solos. The old
Yardbirds classic “Shapes Of Things” is smashed apart and lumped back
together. “Cold Hearted” is stretched to 11 minutes with Moore
taunting the audience with guitar pyrotenics.
The encore section features one ballad, “Empty
Rooms”, which is beautifully sad, and if you are interested, can be
heard played superbly by our own Lam Morrisson in Pattaya. The whole thing
is wrapped up by “Rockin & Rollin” from the Hammersmith Odeon with
a totally Gonzoid Jimmy Nail on guest vocals.
Gary Moore went onto super stardom with his “Still
Got The Blues” album, but this was a great phase in his career.
Musicians
Gary Moore - Guitar, Vocals
Neil Carter - Keyboards, Guitar, Vocals
Craig Gruber - Bass
Ian Paice - Drums
Bobby Chouinard - Drums on Detroit recordings
Jimmy Nail - Additional Vocals on “Rockin’ &
Rollin”
Track Listing
1. Murder In The Skies
2. Shapes Of Things
3. Victims Of The Future
4. Cold Hearted
5. End Of The World
6. Back On The Streets
7. So Far Away
8. Empty Rooms
9. Don’t Take Me For A Loser
10. Rockin’ And Rollin’
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