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Book Review: Money Still Number One
by Lang Reid
 This
week’s book subtitled The Single Man’s Survival Guide to Thailand, by
Neil Hutchison (ISBN 0-9751349-1-9), is an update on a very slim, but very
popular publication.
I reviewed the original publication (“Money Number
One” which is now sold out) and an excerpt of my review is printed on
the back cover of the new publication, “I would recommend that the
single male, with fire in his heart and conflagration in his jocks should
study the book before having his first beer. He will save more than the
price of the book.” This is correctly ascribed to “Lang Reid,
Bookazine Book Review”, but I should point out that my review was in the
Pattaya Mail newspaper.
In this new updated version of his book, author
Hutchison has realized that the advice which was prompted by the
activities of the professional ladies in Pattaya, was actually just as
pertinent when applied to the professional ladies of Chiang Mai, Phuket or
wherever, and this has widened the scope, without changing the message!
Unfortunately, this style of book tends to engender the
wrath of many, who feel that it is either promoting prostitution or
belittling women. However, it does not, in fact in many ways, quite the
reverse. It does accept the fact that prostitution does exist in Thailand
(shock, horror - as it does in all countries) and gives advice on how not
to become a victim.
The book has chapters covering personal safety, drugs,
STD’s and AIDS, tips for saving money and not looking stupid, and 20
pieces of advice for those wishing to start a business venture over here
which ends “Does all that scare you? Good.” It is obviously then not a
book proscribing unthinking hedonism.
Certainly it does describe the various types of bar
girl, including a chapter on ones to avoid at all costs, and even
describes the different types of bars and entertainment outlets. Is this a
crime? Not as far as I am concerned, and for the tyro to understand that
these places are not just for him, and in fact he is here just for them,
puts a very different aspect to it all. Hunter or hunted, the differences
get blurred in Thailand. Hutchison does point this out very well.
The book also mentions much more than just alcohol
outlets, with or without women, and it is in this chapter that I notice he
refers to Go Carts, when in actual fact it should be Go Karts, a
correction he can make before the next upgrade called “Money Still
Always Number One”!
At the RRP of B. 395 it has to be the cheapest advice
book around that has the potential to save the single man many millions.
Should be incorporated in the price of incoming plane tickets and made
compulsory reading.
As a personal choice, I am not captivated by the cover, which I feel
‘cheapens’ the book in some ways. However, if it had a somber cover,
as befits something with real worth, it probably wouldn’t sell as well
as it does! A fun read with an important message.
Mott’s CD review: Lindisfarne -
Nicely Out Of Tune
Swung by Mott the Dog
Re-stepped by Ella Crew
 5
Stars *****
Newcastle upon Tyne, England, over the years has
given us some of the greats of the rock world: ‘The Animals’, ‘The
Police’, and ‘Geordie’ to name but a few (well, perhaps Geordie
weren’t as great, but they did give us Brian Johnston, lead singer
with AC/DC today). None of these bands were greater than
‘Lindisfarne’ especially in the early seventies. In fact, in the
polls carried out in 1972 by the leading English musical paper Melody
Maker they were the number one band in Britain, with the Rolling Stones
coming second, and Pink Floyd third.
 Lindisfarne’s
rise to fame was as spectacular as their falling back to the ranks of
the second division. It all started in 1969, in the folk clubs of
Newcastle, when the very talented folk music singer/songwriter Alan Hull
decided to try a few of his songs with a backing band. So he called upon
his pals in a band called Bretheren (that is the correct spelling) for a
few gigs and to record an album which was finally released under the
marvelous moniker “Take Off Your Head And Listen”.
But a re-think was in order and they re-christened to
‘Lindisfarne’. They made their debut at Newcastle City Hall in July
1970, and then, before the end of the year, released this album plus
single ‘Lady Eleanor’ (a song that sounds like a love song, but is
actually about a certain lady vampire) on the newly formed Charisma
record label, along with other such upstarts at the time like ‘Steamhammer’,
‘Van Der Graf Generator’, ‘Audience ‘, and a little theatrical
rock band called ‘Genesis’. Some of these bands became household
names; some are now just a distant memory.
At first, sales were limited to the north-east of
England, but that all changed the following year when the band started
non-stop touring. By the summer they were playing at all the major
festivals. They had released their second album ‘Fog on the Tyne’,
which debuted on the U.K chart at number one, and had a number five hit
single with the Rod Clements penned ‘Meet Me On The Corner’, on the
strength of which Charisma rush-re-released ‘Lady Eleanor’. This
time it roared up the charts and was quickly followed by a re-appearance
of ‘Nicely Out Of Tune’ in the album charts. But it is still
‘Nicely Out Of Tune’ that was their finest hour.
Of the eleven songs that were put on the original
album, nine were written by Alan Hull. Songs Alan had been singing on
the folk club circuit for years, but now had been given extra sharpness
and clarity by his Geordie mates gathered around him. We also get one
song from Rod Clements and one from band mate Rab Noakes. All of
Lindisfarne were multi instrumentalists, so there was always plenty of
swapping of instruments on stage.
There are protest songs mixed in with love songs,
ballads, and kick up your heels barn dances. But through it all there is
a feeling of fun and kindred spirit. Alan Hull singing ‘The Winter
Song’ would send shivers down any spine. ‘Clear White Light Part
Two’ is the first song Lindisfarne ever played together, and was the
final encore when they once and for all called it a day at their final
concert November 1st, 2003 - naturally at the Newcastle City Hall.
Listening to it today, it still sounds as fresh as it
did thirty five years ago. ‘We Can Swing Together’, although written
by Alan Hull, is a showcase for the voice and harmonica playing of Ray
Jackson. You cannot help but sway to the rhythm, sing along with the
chorus, all the time punching your fist in the air. In concert ‘We Can
Swing Together’ would be spread out to over twenty minutes of zany
musical madness.
Rod Clements only contributes one song to the
original collection, a song of unrequited love, ‘The Things I Should
Of Said’. Fortunately one of Rod’s songs that was used as a B-side
to a single has been included here as a bonus track. ‘Knackers Yard
Blues’, a song on the misery of getting older, which includes the
lines:
“I bought some pictures to hang on my wall,
but like a changin’ so I moved them all,
but nothing ever changes in the human race,
I can get another mirror, but it’s still the same
old face.”
Lindisfarne’s time at the top of the rock ‘n’
roll tree was limited. In fact, one more album after ‘Fog On The
Tyne’, ‘Dingly Dell’, the band split in two in 1973. Alan Hull and
Ray Jackson recruited new musicians and carried on with the Lindisfarne
name, while Rod Clements, Ray Laidlaw, and Simon Cowe formed the aptly
named ‘Jack The Lad’. They later reformed, but the initial magic was
gone. Anyway, by then Charisma were taking a bit more interest of those
chaps in Genesis.
However, for English folk/rock at its absolute best,
look no further than this Lindisfarne’s first album.
Songs
Lady Eleanor
Road To Kingdom come
Winter Song
Turn A Deaf Ear
Clear White Light-Part Two
We Can Swing Together
Alan In The River With Flowers
Down
The Things I Should Have Said
Jack Hammer Blues
Scarecrow Song
Knackers Yard Blues
Instruments on this album were played by
Rod Clements - Electric Bass, Organ, Piano, Guitars,
and Vocals
Alan Hull - Vocals, Acoustic Guitar, 12 String
Guitar, Organ, Piano, Electric Piano
Ray Jackson - Vocals, Mandolin, Harmonica, Flatulette
Simon Cowe - Lead, Acoustic, and 12 string Guitars,
Mandolin, Banjo, and Vocals
Ray Laidlaw - Drums, Percussion, and anything else you can hit with a
stick
To contact Mott the Dog email: [email protected]
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