by Lang Reid
The
Thai Amulet (ISBN 0-425-19487-6, Berkley Publishing 2004) is one of a
series of thrillers written by Canadian author Lyn Hamilton. They have the
common thread of archeology, but you should not be put off, thinking this
refers to old stuffy books and million year old pieces of bone.
At the back of the book there is an interview with the
author, in which she explains her rationale behind the archeological
theme, linking the books. “When I started thinking about the series,
however, it struck me how similar archaeology and detection are. Both the
archeologist and the detective sift through seemingly unrelated clues, use
logical and scientific methods in their investigations, and make intuitive
leaps based on their particular expertise. In a sense, both speak for the
dead, the detective for the murder victim, the archeologist for ancient
people.”
In this book, her heroine Lara McClintoch, an
antiquities dealer, goes to Thailand to accompany her partner’s daughter
who is meeting the rich Thai family of the girl’s boyfriend. Since she
was going to Bangkok, she was also asked if she would look up another
Canadian antique dealer, who seemed to have dropped out of public view.
This man had left behind a wife and child in Canada,
and whilst some males in this country have ‘fled the scene’ to join
others similarly fleeing, there was doubt that this was the case.
Especially when the deserted wife receives a mysterious package with
peculiar notes and a couple of broken Thai amulets.
Lyn Hamilton has done her homework reasonably well,
particularly in her research into rich Thai families, their lifestyles and
the infighting. As in all societies, there’s nothing like a good death
in the family to bring the sabers out of their scabbards.
While many ‘old’ families also like to keep the
‘purity’ of the bloodlines intact, there are just as many that have
more than a little murkiness in the past, but it is amazing what a
difference a large pot of gold can do to clean things up a little. Buying
respectability is an art form in SE Asia, is it not?
The book steps up the pace in the latter half, as a few
more bodies begin to turn up, and not all of them cold; however, the
intuitive Lara manages to find all the threads and tie them together very
successfully.
The book should be available in all good bookstores,
and Bookazine informed me that the RRP for the paperback is B. 295. I also
enjoyed the parallel story of intrigue in Ayutthaya from centuries before,
with which she introduced each chapter. A novel approach, and also very
interesting. In fact, I could have done with more.
The Thai Amulet is a good, cheap read, but is one that can be picked up
and put down at will. I enjoyed it on my AirAsia flight to Chiang Mai,
other than the fact that in a bid to save fuel or something equally as
fatuous, they turned off the cabin lights for half the journey! Perhaps by
paying more you get reading lights. I must inquire!
Camped out by Mott
the Dog
Straightened by Ella Crew
5
Stars *****
Queen was formed out of the wreckage of a smile in
1971. Brian May (lead guitar with a penchant for playing with a sixpenny
piece instead of a plectrum) and Roger Taylor (a young jazz drummer with
an inkling for funk and rock) had just found themselves out of any form
of entertainment due to the demise of their band ‘Smile’. They met a
certain flamboyant buck toothed kindred spirit in Faroukh Bulsara (from
here on known by his stage name of Freddie Mercury, in part named after
the puppet hero in the Gerry Anderson’s Television show ‘Fireball
XL5’), who, too, had just split up his own band ‘Wreckage’.
After a bit of a Spinal Tap situation with bass
players, the trio finally managed to acquire John Deacon to fill in the
lower notes. You could not imagine four more unlikely people to form a
band, but success was only a kiss away.
After 18 months of constant rehearsal and very few
actual paid gigs, the group now known as Queen was signed on a small
budget by EMI Records in early 1973. Such was EMI’s disregard for
their newly acquired band that they did not even book them any studio
time. This Queen’s debut album was actually recorded in down time at
London’s Trident Studio’s in-between other - considered more
important - acts doing their own recording. According to legend, Queen
found themselves spending 90% of their time sitting outside recording
studios waiting for the old pros to get fed up with their 30th overdub
and go home. Then the fledgling Queen could rush into the studio and lay
down their debut masterpiece.
It was not quite glitter all the way though. The only
release of Queen’s that did not instantly hit pay dirt was their first
single ‘Keep Yourself Alive”. Amazingly, this did not even dent the
British Top Fifty, but it still remains this dog’s favorite single
from the band. Yes, I know about Bohemian Rhapsody, etc., but I implore
you listen to the vibrancy of their first single, indeed the whole of
their debut album. ‘Keep Yourself Alive’ and ‘Liar’ were to
remain stage favorites with the fans right till the end.
Queen’s debut album kicks off with their
aforementioned single and carries on in ground breaking fashion.
Fortunately, right from the first album the fifth member of Queen was
behind the mixing desk. John Roy Baker was to become as essential to
Queen as George Michael had been to the Beatles, funneling their natural
talents into the perfect sound and working as judge and jury in inter
band conflicts. Rock ‘n’ roll was built on anger and you cannot have
such a multitalented band without the odd clash of ego.
In many ways life in Queen was much simpler in the
early days when they were scrambling their way to the top, with Freddie
Mercury writing the more flamboyant storyteller songs and Brian May
being responsible for the serious heavy metal side of things. John
Deacon and Roger Taylor were later to write many of Queen’s classic
songs, but on this their debut album John Deacon is confined to playing
the strong silent bass player, while Roger Taylor plays drums and is
only given writing credits for the throw-away, under two minutes twelve
bar rocker ‘Modern Times Rock ‘n’ Roll.
Queen’s debut album peaked at number 18 in the U.K.
Charts, although it was to re-enter the charts again in 1976, on the
back of Bohemian Rhapsody’s nine week year spanning run at number one,
when all four of Queen’s albums were in the British Top Thirty.
‘Queen 2’ originally released in March 1974, reached number 5;
‘Sheer Heart Attack (1975) reached number 3; and, of course, the icing
on the cake, the first of many number 1 albums, ‘A Night At The
Opera’, released at Christmas of 1975.
After the release of their debut album, Queen went
out on the road with Mott the Hoople for two tours of Europe and one of
the United States of America. Hopple was the only band they ever played
support to. By 1976 they were playing to 200 thousand people in Hyde
Park, London, and were the biggest band in the world, where they
remained until Freddie’s untimely death in 1991.
But it all started here with a debut album that even
contained the demo track ‘The Night Comes Down’. Such were the
original time constraints on the band. Just kop a look at the cover for
signals of what was to come.
Queen has been re-released with over fifteen minutes
of bonus tracks and for once the added extras are actually a plus to the
collection. Sit back and listen to a dream coming true.
Queen’s
representatives
Freddie Mercury - Vocals and Piano
Brian May - Guitar and Vocals
John Deacon - Bass Guitar
Roger Taylor - Drums and Vocals (the high bits that Freddie couldn’t
reach)
Songs
Keep Yourself Alive
Doing Alright
Great King at
My Fairy King
Liar
The Night Comes Down
Modern Times Rock ‘n’ Roll
Son and Daughter
Jesus
Seven Seas Of Rhye (short version, the complete hit single was taken off
Queen 2)
Bonus Tracks
Mad the Swine
Keep Yourself Alive (long lost - longer re-take)
Liar (1991 Remix)
To contact Mott the Dog email: [email protected]
Mott’s CD review: Queen – Queen