You might think as I did: Oh
no, not yet another slapdash tribute album. The world is full of them,
and you can count the ones that are really worth a listen on one hand.
What makes “The Art Of McCartney” different is its sheer scope and the
fact that the man himself, although not in any way part of the
proceedings, still is very much present. When approached by American
producer (and Beatles/McCartney-fan) Ralph Sall back in 2003, Paul gave
the project his famous thumbs up.
Recruiting key members of
Paul’s backing band was a clever move. The guys knew his songs inside
out, and as they are the core players on most of the tracks, they give
this collection a unity that most tribute-albums lack. And being Paul
McCartney’s band, they certainly make sure that his presence is felt,
even though he is nowhere to be seen or heard.
The downside is of course that they are so familiar with Paul’s original
arrangements that you can’t expect them to deliver any big surprises.
Why tinker with perfection? Performing live Paul always stays close to
the blueprints of his original studio recordings. And so does most of
“The Art Of McCartney”.
There are exceptions as some of the participants use their own
handpicked musicians and provide the set with some left turns that are
most welcome. The biggest surprise is the sound of Bob Dylan’s croaky,
world weary voice taking on The Beatles-chestnut “Things We Said Today”
- he keeps the familiar triple flick of the wrist chord that drove the
1964-classic along, injecting it in a tight and groovy arrangement that
could just as well have been part of his “Tempest” album.
The other big suprise is “Come And Get It”, the Badfinger-hit, now
transformed into a fat and skanky chunk of reggae by Toots Hibbert with
Sly & Robbie.
Some ignorants still think Paul McCartney was the soft one of the
Beatles, the balladeer, while John was the rocker. Well, it’s still not
too late to wake up. “The Art Of McCartney” does have its moments of
softness and fragile beauty as well as his trademark playfulness, as it
should, exposing his versatility as a musician, singer and songwriter,
but more than anything this is a powerful and rocking album.
Billy Joel certainly doesn’t hold back in his versions of “Maybe I’m
Amazed” and “Live And Let Die”. Paul Rodgers delivers “Let Me Roll It”
every bit as raucous as Paul intended back in 1973, and then some. Roger
Daltrey takes on “Helter Skelter”, a song that originally was intended
as The Beatles’ answer to the thundering The Who-masterpiece “I Can See
For Miles”. And there’s more, a lot more, like Def Leppard (“Helen
Wheels”), Kiss (‘Venus And Mars/Rock Show”), Sammy Hagar (“Birthday”),
Robin Zander & Rick Nielsen (“Jet”).
But in between you find delightful moments like Willie Nelson doing
“Yesterday”, Ronnie Spector doing a semi-Phil Spector version of “P.S. I
Love You”, Wanda Jackson igniting in “Run Devil Run”, Brian Wilson doing
“Wanderlust”, Smokey Robinson delivering the definitive version of “So
Bad” and Yusuf/Cat Stevens making “The Long And Winding Road” his own.
Personally I found great pleasure in hearing Steve Miller’s “Junior’s
Farm” as I always thought that Wings-single was a homage to him in the
first place.
The list is next to endless as this four-album-project contains 42
McCartney-songs (of which only 17 are Beatle-tracks). I have one
objection though, and it is an important one: Too many of the tracks are
almost spitting images of the original arrangements; a bit louder and
more basic, maybe, some more guitar and less of the magical dust that
graces his own productions, but still so similar you automatically
compare them to Paul’s own versions. Not surprisingly, the originals
win, hands down.
But then again, this approach to the songs does create the unity I
mentioned earlier, and the band, being as tight and good as it is, makes
sure the results are never less than entertaining. It is a parade of
famous voices and faces doing Paul in Paul’s own backyard.
On top of that you get the rare moments when some of the artists deliver
more personal interpretations, like Bob Dylan, Toots Hibbert and B.B.
King, and those moments add to the listening experience and make the
project breathe.
The only duff track on the albums is “Hello, Goodbye” performed by The
Cure with Paul’s own son James. It stays close to The Beatles’
arrangement, but ends up as a very clumsy effort indeed. What were they
thinking?
And by the way, who would have expected Alice Cooper to do “Eleanor
Rigby” (and then follow it up with the eccentric, but wonderful choice
of “Smile Away”, bless him)?
I bought the deluxe package that apart from the four vinyl albums (on
orange, green, red and blue vinyl) contains 3 CDs with music, 1 CD with
an audio documentary, one DVD with “the making of…” plus a specially
designed Höfner guitar shaped USB with 34 of the songs on flac files.
And then there’s the hard cover book, 2 pieces of artwork by Alan
Aldridge and 4 black and white art cards. All this and the Certificate
of Authenticity that proves that I am the 707th of the 1000 lucky ones
who own this monster.
They didn’t make packages like this in the 60’s, that’s for sure!
Released: November 18, 2014
Produced by: Ralph Sall
Contents: Maybe I’m Amazed (Billy Joel)/Things We Said Today (Bob
Dylan)/Band on the Run (Heart)/Junior’s Farm (Steve Miller)/The Long and
Winding Road (Yusuf /Cat Stevens)/My Love (Harry Connick Jr.)/Wanderlust
(Brian Wilson)/Bluebird (Corinne Bailey Rae)/Yesterday (Willie
Nelson)/Junk (Jeff Lynne)/When I’m Sixty-Four (Barry Gibb)/Every Night
(Jamie Cullum)/Venus and Mars/Rock Show (Kiss)/Let Me Roll It (Paul
Rodgers)/Helter Skelter (Roger Daltrey)/Helen Wheels (Def
Leppard)/Hello, Goodbye (The Cure featuring James McCartney)/Live and
Let Die (Billy Joel)/Let It Be (Chrissie Hynde)/Jet (Robin Zander and
Rick Nielsen)/Hi Hi Hi (Joe Elliott)/Letting Go (Heart)/Hey Jude (Steve
Miller)/Listen to What the Man Said (Owl City)/Got to Get You Into My
Life (Perry Farrell)/Drive My Car (Dion)/Lady Madonna (Allen
Toussaint)/Let ‘Em In (Dr. John)/So Bad (Smokey Robinson)/No More Lonely
Nights (The Airborne Toxic Event)/Eleanor Rigby (Alice Cooper)/Come and
Get It (Toots Hibbert with Sly & Robbie)/On the Way (B.B. King)/Birthday
(Sammy Hagar)/C Moon (Robert Smith)/Can’t Buy Me Love (Booker T.
Jones)/P.S. I Love You (Ronnie Spector)/All My Loving (Darlene Love)/For
No One (Ian McCulloch)/Put It There (Peter, Bjorn and John)/Run Devil
Run (Wanda Jackson)/Smile Away (Alice Cooper)
