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DINING OUT - ENTERTAINMENT

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Dining Out

Nightmarch

Wine appreciation made simple (part 3)

Shenanigans Customers go with the flow

Dining Out: The Winemaker’s Dinner - just call me Bob!

by Miss Terry Diner

One of the advantages of the Royal Cliff Wine Club is that you get invitations to special events like the Winemaker’s Dinner held last week in the Royal Cliff Beach Resort’s Grill Room. Robert Fredson, the winemaker in question, presented a mixture of reds and whites.

Robert, who began the evening with a hearty handshake and the advice to “Just call me Bob,” was a very knowledgeable 4th generation winemaker from the Sonoma Valley in California, and don’t ever think they can’t make good wines over there in the USA - they certainly can. Bob’s label is the Domain Saint George, “Saint” being pronounced in the English way, not “Sant” a la Francaise.

(from left to right): Ranjith Chandrasiri, Resident Manager of the Royal Cliff Grand; Bob Fredson, winemaker from Domain St. George winery; Panga Vathanakul, Managing Director of the Royal Cliff Beach Resort; Ekachai Mahaguna, Managing Director of Cannon Pacific; and Andrew J. Wood, General Manager of the Royal Cliff Beach Resort.

The concept of these dinners is to allow a co-operation between the winemakers and the chefs so that the food and wine complement each other. With six wines and seven courses, this Winemaker’s Dinner was going to be no quick quaff and run, and had attracted many of the local gourmands, including our top restaurateurs like Bruno Forrer (Bruno’s), Pascal Schnyder (Casa Pascal) and the ebullient Louis from Mata Hari, dedicated diners such as the immaculately dressed Doug Rosario and many others from the Chaine des Rotisseurs.

After a brief welcoming speech from general manager of the Royal Cliff, Andrew Wood, we were ushered into the Grill Room, which I must admit is one of my favourite restaurants. The ambience is superb, with the teak wood d้cor giving it that wonderful “Thai” touch. The service was also superb, with the Royal Cliff’s noiseless way of slipping a chair under the waiting bottom almost a trademark.

Following introductions by Ranjith Chandrasiri, the Wine Club Captain, we began with a 1998 Domain St. George Chardonnay, a very pleasant wine, described by Call me Bob as a “user friendly” wine. “Just open it and enjoy it on the spot,” was his advice. The first course, an “Amuse bouche” was home made goose liver with toasted mini-brioche and an apple jelly. The smoothness of the pate was contrasted by the sharpness of the apple and was a magnificent start to the evening’s culinary treats.

The second wine Bob described as “Kinda neat” and was his Premier Cuvee 1998 Chardonnay from Chalk Hill, chosen to wash down the saffron flavoured seafood terrine with asparagus, accompanied by ruccula greens and tarragon-chive vinaigrette. Let me assure you, the full bodied woody Premier Cuvee was a lot better than just “kinda neat”! Great on the understatement, our Bob.

Next up was a soup, a smoked chicken consomm้ with vegetable wontons. This was my only disappointment of the evening, being a little insipid for my taste. This course was taken with a Monthaven Chardonnay 1995 from the Napa Valley, and Bob explained just how white wines which were previously thought to be past their best after a couple of years could still be good these days, six years after bottling. And it was!

Then it was into the reds, with Bob’s Premier Cuvee 1997 Merlot from his Sonoma Valley, to accompany a pan-seared Ahi tuna on bell pepper infused mashed potatoes, served with red onion confit, mango relish and balsamic syrup. In my notes on the menu I had written “Sensational!” beside the potatoes.

The main course was grilled beef tenderloin with several accompaniments, and mine was certainly tender, falling apart with just gentle pressure from the fork. To accompany this was a Monthaven 1998 Cabernet Sauvignon, another full bodied red, but the wine of the night, in my opinion, was next - Bob’s 1999 Cabernet Sauvignon. After allowing it to breathe a little longer, it was an excellent foil for the gourmet cheese miscellany, and I stuck with it through the Bourbon whisky flavoured pecan cr่me brulee and finished with the home made royal pralines.

Chefs Walter Thenisch and Fabian received applause and personal accolades from everyone, while poor old Bob just wanted to go to bed, having flown half way around the world to be at the Royal Cliff Winemaker’s Dinner.

It was a night to savour and remember. When is the next one? Reserve a seat for Miss Terry!

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Nightmarch

Clean bill of health: Some weeks ago the management of Spicy Girls (Pattayaland Soi 1) took it upon themselves to make sure that the employees were subjected to a regular and genuine HIV check-up by a government-employed quack. The response by regular boozers has been overwhelmingly positive (as you would hope) and most of the dancing maidens have also been co-operative.

However, they did lose a few girls, including one who’d been there for some two years. The damsel in question refused point blank to submit to the blood test and consequently was asked to leave and find employment elsewhere.

The Tahitian Queen ogling den (Beach Road) is another establishment that will not allow a maiden to dance without first being tested for HIV and other STD’s. I’m told the prospective dancer is given 500 baht and accompanied by the mamasan to a reputable doctor where she is checked and, if passed fit and healthy, permitted to start pole hugging.

Personally, I would like to see all chrome pole palaces and dine and dash establishments take a similarly responsible attitude to making sure the girls employed by them are tested, not just regularly but genuinely. It’s in the interests of the bar owners, the girls and punters and would also give the lie to much of the biased and xenophobic international media coverage of Pattaya’s night entertainment industry.

Unfortunately, to satisfy a variety of agendas there is a vast amount of misinformation gathering credibility and veracity in the mainstream media of most First World nations regarding Thailand. Figures on HIV infection rates among the working damsels of Pattaya vary from 20% to 92%, depending on which form of media you encounter. Strangely, no hard, verifiable statistics are ever presented to back up these figures. Sadly, the ridiculous numbers spouted by people who should know better leads some misguided people to believe that there really isn’t an HIV/AIDS problem in Pattaya; it’s all a communist/CIA/Vatican plot designed to stop people having fun.

The reality is somewhere in the middle. Surely it would be better to know the truth, as far as it can be ascertained, without resorting to hysterical figures designed only to reinforce some spurious moralistic argument.

The issue here is safety and confidence, as well as the opportunity to show the world that Pattaya is one place where bar owners are prepared to take a hard but responsible line in the interests of public health.

Not quite the Hollies: One of my favourite ogling dens is Carousel (Soi Diamond). One of the main reasons, apart from the usually attractive fillies and revolving stage, is the great rock and roll and pop music, much of the material rarely heard in other establishments.

So, it came as a shock and a surprise one evening when I went in, took a seat and heard the same sort of techno blather played by almost every other ogling den in the immediate vicinity. What I don’t understand is why? The place is popular and the overall formula was working, at least that’s the way it appeared to me.

As I understand it, the den now plays good rock and roll and pop music for an hour, before launching into the techno for the next hour and then coming back to rock. This pattern is meant to continue through the night until about 1:00 a.m. when it becomes wall-to-wall techno. The theory is that by then most boozers are too intoxicated to notice. I wouldn’t mind so much if the techno in question were at least listenable. Unfortunately, as with so many other dens, the material sounds like it came from the bargain bin rather than the top shelf.

Apparently, the techno music was introduced at the request of some of the dancing maidens. However, I noticed they didn’t fondle the chrome poles with any more vigour and enthusiasm when the techno was on compared to the rock.

Although it won’t stop me patronising the place, could I respectfully suggest that the management dispense with the techno and go back to the music format enjoyed by most regulars?

Do you want a tattoo with your beer? The Golden Dragon beer boozer and tattoo shop (Pratamnak Road, just down from the Camelot sleeping palace) is one of those joints that’s been around town for so long it’s easy to overlook.

Run by a friendly ex-Vietnam War veteran, the Golden Dragon is worth visiting just to check out the walls that are festooned with enough visual and reading material to keep you coming back for the next six months.

The boozer also offers a 5% discount to people, or ‘seniors’ as the management terms it, over the age of 55.

From the interesting but ultimately useless Fact File: Did you know that a goldfish has a memory span of three seconds?

My e-mail address is: [email protected] 

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Wine appreciation made simple (Part 4)

Champagne/Sparkling wine

by Ranjith Chandrasiri

All sparkling wines start life as still wines and have the sparkle added later. The crucial factor in the quality of every sparkling wine is how the fizz is added.

The fermentation process naturally produces carbon dioxide gas (CO2) - the waste product of the yeasts devouring the sugars. In still wine making this gas is allowed to escape. In sparkling wines, the CO2 is retained, dissolving within the wine which is kept under pressure. When it is released, the CO2 bubbles to the surface. The method for producing a wine filled with CO2 varies from the very time-consuming and expensive Champagne method of natural, secondary fermentation in individual bottles, to the inexpensive and easy method of squirting industrial CO2 into cheap, still wine.

The Champagne method

The Champenois are justifiably proud of their wines and the age old methods used in their creation. Legend has it that the method was invented by a monk and winemaker named Dom Perignon. Champagne itself can come only from a very well defined area in the north east of France, but many quality wines are made using the “Methode Champenoise” (this term is no longer allowed on labels, so the term “traditional method” is often used instead).

First of all, a high quality, dry white wine is made (usually from a blend of chardonnay, pinot noir and pinot meunier grapes) with “ordinary” tank fermentation. Once the wine is complete it is placed into special, heavyweight bottles and a fresh dose of yeast and sugar is added. The bottles are then capped and placed in the cool cellars of the winery for up to 2 years. During this time, a secondary fermentation takes place. The yeasts and sugars create CO2 that, because it is in a sealed container, cannot escape so dissolves into the liquid. In the early days Champagne production was a dangerous business - cellars were destroyed by exploding wines. Controlled production methods and stronger bottles have eliminated that risk.

The problem with this technique is the deposit of dead yeast cells that collects in the bottle. In still wines these would simply be filtered out, but since that would also remove the bubbles, another method had to be found. This process is known as Remuage: an action whereby each bottle is shaken lightly, revolved and its position adjusted, so that over the course of a few weeks the bottle ends up upside-down with the dead yeast cells captured in the neck of the bottle.

The Remueur can precisely adjust 40,000 bottles per day. At this stage the inverted bottles are carefully transported to a freezing tank. The necks are dipped in, just to the level of the gathered sediment, which freezes into a solid “plug” of dead yeast cells. The caps are removed and the gas pressure shoots the plug out. Depending on the style of wine being made (dry, medium or sweet) the bottles are topped up with a “dosage” of reserved wine and sugar. The bottles are corked, wired and at that stage, the Champagne is complete.

Though this process is long, expensive and labour intensive, no other method produces wines with such fine and persistent bubbles and such a creamy complexity on the tongue.

The tank method

This is a different process by which good quality bubblies can be made. Here the secondary fermentation still takes place naturally, by adding new yeast and sugar to a finished wine, but instead of taking place in bottles, the wine is held under pressure in large sealed tanks so that the equivalent of several thousand bottles re-ferment at the same time. The wine is cleared of sediment and bottled under pressure, directly from the tank. The bubbles are a little larger and disperse more quickly, but the tank method can produce good results.

The transfer method

This is a less common system for creating a sparkling wine. Here, secondary fermentation takes place in individual bottles - like Champagne - but instead of the expensive remuage process, the wine is cleared by filtration and is then pumped, under pressure, into clean bottles.

Champagne/Sparkling wines tastes and styles

Can be made white or rose. Although rare, there are examples of wonderful red sparkling wines, such as the deep red, sparkling Shiraz from Australia. Most Champagnes tend towards a dry, elegant style, but many other sparkling wines (such as Asti-Spumanti for example) are lighter in alcohol and sweet, or semi-sweet.

How to chill

Before serving, chill the wine well, but do not freeze it. Champagne is best chilled by placing the bottle in a bucket filled with ice and water for 30-40 minutes or in the vegetable bin of the refrigerator for several hours.

How to open

Slant the bottle at a 45-degree angle away from guests. Put a thumb on the cork, untwist and loosen the wire muzzle. Grasp the cork firmly, twist the bottle slowly and let the pressure help push out the cork. Allow a light and merry pop.

How to serve

Best served in a tall flute or tulip glass. Tiny bubbles will rise in a continuous stream. When serving, pour a small quantity of wine into each glass and allow it to settle. Then fill each glass two-thirds full.

How to store

Should be kept in a cool, dark place away from heat, light, vibrations and severe temperature variations. Unlike the best wines from Bordeaux, Champagne wines are ready for consumption when they are shipped to the market. However, some wine lovers also enjoy cellaring their Champagne for a few extra years.

Most Champagnes will age well if properly stored. Typically, Classic Champagnes can be kept for about 5 years, and Vintage Champagnes for about 10 years from their release.

But make sure to keep in mind that, like other wines, Champagnes change as they age. These changes will become more pronounced after five years. As Champagnes evolve, the fruit aromas of a younger wine will evolve into dried fruit, honey, nutty and toasty flavours. Champagnes also take on a deeper golden colour as they age and tend to lose some of their effervescence. While many consumers prefer fresher, younger Champagnes, some Champagne lovers appreciate the characteristics of older Champagnes as well.

Like all wines, Champagnes are particularly sensitive to abrupt changes in temperature and to exposure to light. Keep Champagnes at a cool, steady temperature in a damp (but not too damp) environment. It’s not recommended to store Champagne in the refrigerator for more than a few months. The air in a refrigerator is too dry, and the bottle will be exposed to vibrations as well as the internal light at frequent intervals. However, keeping a bottle in the fridge for a few days or even weeks will not affect the quality of the wine. In fact, it’s a great idea in case of unexpected guests. If you don’t have a wine cellar, the best place to store your wines is the coolest, darkest and least dry closet in your house.

We will learn all about sweet wines in the next wine column.

Ranjith Chandrasiri is the resident manager of the Royal Cliff Grand, Royal Cliff Beach Resort, Pattaya, Thailand.

Email: [email protected] or [email protected]  

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Shenanigans customers go with the flow

Shenanigans Pub showcased another new band last week, with the debut of the Bangkok based “flow” group last weekend. Part of their seaside tour was to promote their first CD called “Seeds”. Rick, the vocalist/guitar player, said that they had material for three CD’s, with Seeds being the first. This will be followed by “Roots” and “Flowers”. The soft-rock band was very popular on the evening and the promotional idea of handing out small “flow” maracas had everyone beating along in time with the music. Mott the Dog has reviewed the “Seeds” CD, so the last bark will come from him.

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