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Bookazine Book Review
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Movie Review
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Mott's CD review
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Sophon Cable TV Schedule
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Bookazine Book Review: Tango One
by Lang Reid
Tango One (ISBN 0-340-77035-X) is the latest thriller
released this year by Coronet Books from Stephen Leather, well known
author and occasional seat warmer in our own Shenanigans, from whose ranks
he draws inspiration and sometimes names. Should we ever forget the
character called Kim Fletcher in one of his previous books? Well, just in
case you have, you’ll find him again on Page 285 of this one! And for
that matter, you’ll find big Dave Hoyle (Jools) on page 328.
Leather’s books are thrillers and it was interesting
to see a quotation from the Daily Telegraph on the cover saying
“Scalpel-sharp suspense”. Particularly apt when by page four you have
been exposed to someone being methodically hacked to death!
For me, the mark of a good writer is the ability to cut
through the tedium of life and present it in a fashion that appears is if
it were new and somehow insightful. Describing the Commissioner of New
Scotland Yard as “drinking Earl Grey tea from a porcelain cup and
planning his retirement, only two years and a knighthood away.” How
true.
Leather spends time building up the story line, with
the personae of three of the principal characters well crafted as
believable people. Despite the “undercover” aspect, the book is
revolving around people you know, or did know, or don’t want to know!
And one of those people just had a cool 60 million dollars misappropriated
from his several numbered bank accounts throughout the world. And needless
to say, he is not happy. Nor are some of his even more unsavoury friends.
The tale does involve you in the drug underworld, and
all the groups either making money from it, or trying to stamp it out.
There’s more to cops and robbers these days than just police and
villains.
The review copy was made available from Bookazine, 1st
floor, Royal Garden Plaza, next to Black Canyon and Boots. It retails for
395 baht.
Released very recently in Pattaya was the compilation
CD set called “Play something you know.” I have always felt that for
book writers the best advice that can be given to them is to “write
about something you know.” Stephen Leather, in his personal list of jobs
done, enjoyed or shirked includes journalist, quarryman, petrol pump
attendant, baker, biochemist, barman and “worked for the Inland
Revenue.” I am sure that the ‘been it, done it or had one’
background has assisted him in his career as a writer of believable books.
Stephen Leather also writes what I consider to be
“classic” thrillers. The pace gallops along, the plot is difficult to
predict, if not well nigh impossible, and the narrative draws you inside
the covers so that every intrusion which makes you put the book down is
resented. And the ending is nothing short of inspired. This is a classic
thriller and a damn good one. If you’re a Stephen Leather fan you need
this book for your collected works. If you haven’t read Stephen Leather
before, then this is a good enough start for your collection. Just get it.
Today, before it is sold out.
Movie Review: Divine Secrets of the Ya-Ya
By Poppy
Siddalee (Sandra Bullock), is a successful playwright
living in New York who is tired of her mother Vivi’s (Ellen Burstyn)
eccentric and domineering behavior. She doesn’t invite her mother to
come to her wedding, and because of this Sidda and her mother have a
vicious war that is delivered to each other daily via overnight mail. Then
Sidda receives her mother’s diary, chronicling her memories from the
30’s.
Three of Vivi’s best friends, Caro (Maggie Smith),
Teensy (Fionnula Flanagan) and Necie (Shirley Knight), decide to
intervene. As children they formed a secret club called the Ya-Ya
sisterhood. The Ya-Yas kidnap Siddalee from New York and bring her back
home to study the sacred Ya-Ya scrapbook, which details the very same
personal struggles in Vivi’s life. The Ya-Yas hope that Siddalee will
understand just how her mother thinks, and how the information on the past
might help her reach a better understanding with her mother in the
present.
The two men of the picture, both James Garner and Angus
MacFadyen have their moments here and there, but the picture isn’t about
men.
One of the most disturbing and hard to watch moments in
Divine Secrets is a mental breakdown scene where Ashley Judd’s character
Vivi stumbles around while whipping her children with a belt.
A great movie about growing up in a dysfunctional
family but sometimes the flashbacks are a little confusing. You won’t
see this type of casting freedom again anytime soon, so for fans of these
ladies, you’d better soak up ‘Ya-Ya’ while you can.
Directed by Callie Khouri
Cast:
Sandra Bullock ... Sidda
Ellen Burstyn ... Vivi
Fionnula Flanagan ... Teensy
James Garner ... Shep Walker
Cherry Jones ... Buggy
Ashley Judd ... Younger Vivi
Shirley Knight ... Necie
Angus MacFadyen ... Connor
Maggie Smith ... Caro
Jacqueline McKenzie (I) ... Younger Teensy
Katy Selverstone ... Younger Caro
Kiersten Warren ... Younger Necie
Gina McKee ... Genevieve
Matthew Settle ... Jack
Leslie Silva ... Willetta
Mott’s CD review:
The Clash - London Calling
by Mott the Dog
***** 5 Stars Rating
Just as the Rolling Stones in the 60s always had
something to prove to the Beatles, The Clash were seen to be snapping at
the heels of the Sex Pistols and were obliged in the early part of their
career to pull off something exceptional time after time. And that’s
just what they did, more or less defining punk’s agenda in broadening
70’s angst into the world of mainstream and revolutionary politics.
Busting
at the seams with creative energy, The Clash’s stunning 1979 double
album “London Calling”, digitally re-mastered from the original
production tapes, puts both vinyl albums on one CD. This reissue of the
band’s 3rd album features all the original artwork and all nineteen of
the original tracks including the hidden hit single “Train In Vain
(stand by me)”, their first U.S. single to chart (it reached No. 23 on
the Billboard at the time).
“London Calling” more than made up for the artistic
and commercial disappointment of its predecessor, 1978’s tried-too-hard
heavy metal bluster of “Give’ Em Enough Rope”. With ex-Mott the
Hoople producer Guy Stevens harnessing their sound like no one had ever
done before, giving them that vital fresh in your face sound, that gave
them the music of the days youth, which still sounds alive now. The band
served up what proved to be the best work of their short lived career (the
band finally split in disarray in 1985, but were inducted into the Rock
‘n’ Roll hall of fame in 2001. How punk is that?).
The tracks bouncing from the brutal hard rock of the
one cover song (Vince Taylor’s “Brand New Cadillac”), to the
rockabilly of “Revolution Rock”, to Reggae in “Rudy Can’t Fail”,
and to the apocalyptic vision of the title track with the immortal opening
lines of “London calling to the faraway towns, Now that war is declared
- and battle come down, London calling to the underworld Come out of the
cupboard, all you boys and girls”
The Clash knocked down all the musical walls, being to
punk what Santana has become to mainstream rock, in being able to take on
any style and in the process end the argument over punk’s viability.
Too many tracks to mention in one review, but in
summery, The Clash really deserve their “only band that matters” credo
(of course given to them by their record company not themselves) because
they don’t try too hard to stay punk like their previous two albums, but
instead surrender to the atmospheres of the other genres round them, and
make it accessible to all different types of people.
London Calling was couched in the language of
revolutionary desperadoes. Influenced by reggae and ska, augmented by
Irish Horns, the result was one of the most heady, celebratory Rock
‘n’ Roll records to have come out of the punk movement.
For every traditional rabblerouser like “Death Or
Glory” there was a starker truth to London Calling like “Guns of
Brixton” that confirmed The Clash’s ideological importance to a
generation. Seldom, if ever, has punk sounded so gloriously righteous or
so right.
Musicians
Mick Jones - Guitars, Vocals
Joe Strummer - Vocals, Rhythm Guitar
Paul Simonon - Bass, Vocals
Topper Headon - Drums, Percussion
Track Listing
1. London Calling
2. Brand New Cadillac
3. Jimmy Jazz
4. Hateful
5. Rudie Can’t Fail
6. Spanish Bombs
7. The Right Profile
8. Lost In The Supermarket
9. Clampdown
10. The Guns Of Brixton
11. Wrong’ Em Boyo
12. Death Or Glory
13. Koka Kola
14. The Card Cheat
15. Lover’s Rock
16. Four Horsemen
17. I’m Not Down
18. Revolution Rock
19. Train In Vain
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