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Savoy Brown - Boogie Brothers by Mott the Dog ***** 5 Stars Rating “Boogie”, what a wonderful word, I mean it just reeks of debauchery, late nights, and partying. Boogie: just try and say it quietly, it just can’t be done. Boogie is just a loud word, & normally proceeded by “Lets” it’s been screamed from every Rock ‘n’ Roll stage in the world. Well perhaps not the ones occupied by “West Life” but then we were talking about Rock ‘n’ Roll anyway. In 1973 Kim Simmonds once again found himself in the position of his band Savoy Brown, being a one man band, him, after the others had jumped ship after an American tour promoting their last album “Lions Share”. Fortunately help was near at hand, as a support band for the last line-up tour had been a hastily put together outfit called “Hemlock” fronted by Glaswegan looner Miller Anderson (formerly of the Keef Hartley band) with a rhythm section of Jimmy Leverton & Eric Dillon (both ex Noel Redding’s “Fat Mattress”). They were quickly coerced into Savoy Brown & rehearsals proceeded at pace. Twiddling his guitar, meanwhile, in London was Stan Webb, erstwhile leader of British Bluesters “Chicken Shack” who had recently gone the same way as the previous line up of Savoy Brown. Eyebrows were raised, thoughts were thought, and an invitation was issued for Mr. Webb to bring his guitar to the party, and the ultimate triple guitar British Super Boogie band was born under the moniker of Savoy Brown. Signed to Decca they wasted no time is getting the contents of their proposed long player down on tape. The ever prolific Miller Anderson penning most of the numbers, with one from Stan, a brace from Kim, and a marvelous tilt at the old chestnut “You Don’t Love Me” by Elias McDoniel - A.K.A. Bo Diddley. Democratically, the guitar playing is shared out through all the songs, with perhaps special mention for Kim’s slide playing, Stan’s pickin, and Miller’s harmony play, but it’s when hats are thrown to the wind & everybody has a dip that the album really works. It’s the two extended songs at the end of the album that especially cook, the title cut & the aptly titled “Rock ‘n’ Roll Star”. But how can anybody possibly dislike a collection of songs when one is called “Everybody Loves a Drinking Man”? Not I for sure. “Threegy Blues” is a live studio take of three of the biggest British blues boom guitar players all living out their dreams of being Hank Marvin, tennis rackets in front of the mirror anybody. So much talent could not be contained in one band & in a year they all went their own way again, leaving Kim Simmonds to pick up the pieces of Savoy Brown & carry on with new Savoyians in line up number 83; or was it 84, who cares; in the words of Spinal Tap, turn it up to 11 & Lets Booooogie. Kim Simmonds - lead guitar Track Listing 1. Highway Blues
By Poppy Sharon Pogue (Jennifer Lopez) is a Chicago police officer that must have missed a few too many anger management classes. Her rough and tumble style is just one indication of the presence of some unresolved issues in her personal life, not the least of which is her growing alienation from her own family. It turns out officer Lopez’s father is a wife-beater and this has transformed his daughter into an angry shell of a woman unable to properly communicate her feelings. While in pursuit of a criminal, she is heroically saved by a bystander who calls himself Catch (Jim Caviezel). Catch is an emotionless, lost soul wandering the streets and helping out strangers while looking for a clean razor and dry cleaner for his dirty overcoat! Catch is a man with a secret, clearly needing to be saved, and Sharon, in turn, seems to find in Catch the antithesis of her father. After their encounter, a very slow moving and strange courtship evolves between them, as they gingerly reach out to one another while purposely avoiding those areas too painful to visit. As the relationship develops, the desire to know more about each other’s past becomes greater than the need to forget their own.
Directed by Luis Mandoki Cast (in credits order): Jennifer Lopez ... Sharon Pogue
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