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Bookazine Book Review: Cabaret - The Ladyboys of Thailand
by Lang Reid
Compiled, written and photographed by an American
architect, David Wilner, Cabaret - The Ladyboys of Thailand (ISBN
974-90377-0-7) is principally a photo book, with the majority of the pages
devoted to full colour pictures. Published this year by Pipat Press in
Bangkok, it was printed in Chiang Mai, making it very much a
"Thai" book about Thai performers.
On the back cover flyleaf, David Wilner is described as
a man who took up photographing ladyboys in America because ordinary
Americans he found rather uninteresting, after having spent some time in
Asia! With the Thai ladyboys, he certainly picked a subject well out of
the ordinary, although Wilner does go to great pains to emphasise the
acceptance of "women of the second order" in the Thai society.
There are six pages of text in the front of the book
which initially cover a potted history of the author/photographer, which I
believe has been included to try and show why an American architect would
step out of the "norm" to go and photograph other humans who
have also stepped out of the "norm’.
Wilner does not try and analyse the state of mind of
the ladyboys, other than taking Descartes on side with his famous line of
"I think therefore I am" and applying the rationale to some
ladyboy’s oft quoted words of "I think I am a girl." He
states, "There really is no moral to this story. This is a picture
book by an architect who likes to photograph people. My intention is
neither to condemn nor glorify because I do not believe that Ladyboys
choose their lifestyle from a menu or as a cool way to stay out of the
army." One can only agree.
The photographic pages are all in colour, and clever
use has been made of a slow shutter speed and flash to give some blurred
images implying the action that is continuous in the cabaret shows. All
the images were shot in Bangkok and Chiang Mai, which is a pity, as Wilner
does repeatedly mention the Tiffany Cabaret in Pattaya, but we do not get
any shots from there.
The review copy was made available by Bookazine, 1st
floor Royal Garden Plaza next to Black Canyon and Boots, and has an RRP of
595 baht. At under 100 pages it is a fairly expensive book, though it is
probably the most comprehensive picture book available on the subject.
David Wilner is a good photographer, even though he does not claim to be
professional and states that all of his shots were taken during regular
cabaret shows, and not posed later just for him.
For many people overseas who have never seen the Thai ladyboys strut
their stuff, this book presents an unbelievable collection of images. In
Pattaya, with Tiffany’s on the agenda for all our visitors, we have
almost come to accept the ladyboys as being part of normal life. It isn’t,
and this book goes a long way towards maintaining the mystique. Despite
some misgivings about the price, I enjoyed the book. A good one to send to
the boys back home!
Movie Review: The Four Feathers
By Poppy
Australian born Heath Ledger plays Harry Faversham a
British officer (don’t they have any British actors?) who resigns his
commission from the Royal Cumbrian Regiment just before they are sent into
battle to fight the Sudanese rebels. He subsequently receives four
feathers from his friends as symbols of cowardice. Jack Durrance (Wes
Bentley) is the only friend who speaks up for Harry saying he was the best
soldier in the regiment. In 1884 serving in the British army was
considered the highest honour and to resign ones commission was not an
option, so Harry finds himself completely ostracized.
Harry’s girlfriend, Ethne (Kate Hudson) is not the
loyal fiancé he would have wished for and soon deserts him for his best
friend Jack.
Harry decides to prove that he is not a coward and
follows his friends into the desert disguised as a Sudanese to rescue his
team. He finds a guide to help him, a kind rebel named Abou (Djimon
Hounsou). For the desert sequences where most of the story is set, Harry
certainly looks like an Arab with his dark complexion and long hair.
If the story sounds familiar it is, another remake of
the historical novel by A.E.W. Mason.
Whatever other failings this movie has director Shakur
Kapur’s cinematography is great, as one would expect from any high
caliber epic. The film is a little bloodthirsty sometimes during the
battle scenes.
Director: Shakur Kapur
Cast:
Heath Ledger ... Harry Faversham
Wes Bentley ... Lt. Jack Durrance
Kate Hudson ... Ethne Eustace
Djimon Hounsou ... Abou Fatma
Michael Sheen ... Trench
Laila Rouass ... Medicine Girl
Lucy Gordon ... Isabelle
Nick Holder ... British Lion
Alex Jennings ... Colonel Hamilton
Kris Marshall ... Castleton
Rupert Penry-Jones ... Willoughby
Tim Pigott-Smith
Ben Uttley ... General Wolseley’s Aide-de-Cam
Mott’s CD review:
Led Zeppelin III
by Mott the Dog
***** 5 Star Rating
After releasing two of the most phenomenal albums in
the hard rock genre in one year (1969), and not forgetting that they were
their debut and second albums, Led Zeppelin turned round in 1970 with a
follow up album that fooled everybody. How do you do this? Simple.
Completely change the formula. Not content with ruling the hard rock
world, they wanted the lot. Let me explain by leading you through this
varied album.
Up first is the perfect opener in "Immigrant
Song" (blatantly ripping off the riff from Bali Hai, I mean if you’re
going to steal something do it with class), a thumping rocker that could
have been on Led Zeppelin Two. So no surprise there then, perhaps just a
warning to any usurper of their Hard Rock Crown, to not even think about
it. But then, Drop of the Jaw, we are into sprightly folk/rock with
"Friends", an acoustic number which features John Bonham playing
tabla drums. This was certainly not what this dog expected.
Next up we got "Celebration Day", and what a
celebration it is, too, with rocking acoustic guitar, Robert Plant wailing
"How Happy He Is" (not surprising, really, as he’d gone from
total obscurity to fronting the worlds biggest selling band), and Jimmy
Page laying down some awesome electric guitar to bring the song to an
exciting finish.
Next is the album’s central track "Since I’ve
Been Loving You" (to this album what "Stairway To Heaven"
was to the next), a blues workout not equaled at the time or, and I would
defy anybody to defy me, since. A seven minute epic about love lost, the
singing and instrumentation are at an all time high. John Bonham’s
drumming is as powerful, whilst subtle, as ever. John Paul Jones
contributes to the dark feel of the song with an excellent back-alley
organ riff. Jimmy Page’s heartbreaking guitar solo in the middle is
simply mind bending. And as for Robert Plant, he quite possibly delivers
one of the most magnificent vocal performances of his career.
Next up, which would have been the closing song on side
one in the days of vinyl, is "Out On The Tiles", a hard rocking
electric workout with a strong bass beat, which extols the virtues of hard
living.
From here on out, instead of blasting away, Led
Zeppelin simply laid back, got the acoustics out, and put down 5 songs
that wouldn’t have gone amiss on any folk album. "Gallows
Pole", another poach in a remake of a lead belly song, begins with a
soft acoustic grove but soon builds into a rousing crescendo. Both,
"Tangerine" and "That’s The Way" have great
acoustics, heartfelt lyrics, and real feel, which all contribute to this
back to back emotional punch. The album closes with the lilting "Bron-Y-Aur-Stomp"
and the quite frankly bizarre tribute to their mate "Hats Off To
(Roy) Harper".
All in all a very complete collection of songs keeping
Led Zeppelin secure in their castle for another year. I would conclude by
saying that this is probably Led Zeppelin’s most creative, thoughtful,
and introspective album.
Musicians
Jimmy Page - Guitars
Robert Plant - Vocals
John Bonham - Drums
John Paul Jones - Bass & Keyboards
Track Listing
1. Immigrant Song
2. Friends
3. Celebration Day
4. Since I’ve Been Loving You
5. Out On The Tiles
6. Gallows Pole
7. Tangerine
8. That’s The Way
9. Bron-F-Aur Stomp
10. Hats Off To (Roy) Harper
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