Led Zeppelin, Led
Zeppelin III (Atlantic) - Released: October 5, 1970.
In October 1970 a crestfallen 18 year old was
wondering if he had bought a pig in a poke. “Immigrant Song,” “Since
I’ve Been Loving You” and “Tangerine” were the only tracks justifying
the album’s existence, I thought then - and returned to “Since I’ve Been
Loving You” to soothe my disappointment. Luckily, when you were young
and poor, like most teenagers were at the time, there was no turning
back. If you bought an album you were stuck with it, so you you kept on
playing it. And slowly “Led Zeppelin III” started making sense.
“Out On The Tiles” was the first track that crept up
on me, turning my favourite trio of songs into a quartet. Then came
“Gallows Pole”, and with that my appreciation for the acoustic
soundscapes and quirky time signatures that characterise much of the
album.
I do not remember exactly when the pieces fell into
place, but some time during spring 1971 I realised that “Led Zeppelin
III” had turned into my favourite Zeppelin-LP. And if that wasn’t
enough, the sequel even though it included the iconic “Stairway To
Heaven”, failed to dethrone “Led Zeppelin III”. 44 years on it still
sounds as fresh and full of life.
Contents: Immigrant Song/Friends/Celebration
Day/Since I’ve Been Loving You/Out on the Tiles/Gallows
Pole/Tangerine/That’s the Way/Bron-Y-Aur Stomp/Hats Off to (Roy) Harper
The Who, Live At Leeds
(Track) - Released: May 16, 1970
The greatest live album of all time, warts and all.
Recorded on an extremely inspired evening at Leeds University on
February 14, 1970. The original release was the tip of the iceberg, as
later deluxe editions have included the complete 33 song program (plus
the Hull concert recorded the following night), but I still prefer the 6
track vinyl version.
The full “Tommy” performance drags on a bit, and the
best bits are neatly incorporated into the 14 minute magnificent
showstopper “My Generation” anyway. These 6 tracks are like hand-picked
cherries and capture The Who in their absolute prime. A tour-de-force of
maximum R & B, so powerful and thunderous it is hard to grasp that this
wave of noise was created by just three instruments and a singer.
The brutally rolling bass-lines of John Entwistle
interlocks with the chaotic brilliance of drummer Keith Moon, providing
Pete Townshend with the perfect foundation for his monster riffs,
tortured solo-runs and howling feedback. On top of that you got the
roaring voice of Roger Daltrey. The Stones’ “Get Yer Ya-Ya’s Out” (also
released in 1970) pales in comparison.
Contents: Young Man Blues/Substitute/Summertime
Blues/Shakin’ All Over/My Generation/Magic Bus
George Harrison, All
Things Must Pass (Apple) - Released: November 27, 1970
The quiet Beatle steps out of the shadows of John and
Paul and delivers an impressive horn of plenty. Some of the strongest
tracks fell on deaf ears when introduced to The Beatles during the
recording of “Let It Be” and “Abbey Road”. What were they thinking?
This triple album (actually a double album of songs
plus a bonus album of disposable jams) turned George into the coolest
and most successful ex-Beatle for a while. It still sounds as good as
anything John and Paul did solo.
Contents: I’d Have You Anytime/My Sweet
Lord/Wah-Wah/Isn’t It a Pity/What Is Life/If Not for You/Behind That
Locked Door/Let It Down/Run of the Mill/Beware of Darkness/Apple
Scruffs/Ballad of Sir Frankie Crisp (Let It Roll)/Awaiting on You
All/All Things Must Pass/I Dig Love/Art of Dying/Isn’t It a Pity/Hear Me
Lord/Out of the Blue/It’s Johnny’s Birthday/Plug Me In/I Remember
Jeep/Thanks for the Pepperoni
Neil Young, After The
Goldrush (Reprise) - Released: August 31, 1970
The songs produce a strange mixture of happiness and
sorrow, there’s mystery and dreams, a longing for a sanctuary that
tastes of summer, meadows and girls with sun in their hair, but there is
a scary undercurrent of doom here that won’t let go as dark clouds
approach from the horizon.
“After The Gold Rush” is the soundtrack to the young
generation who had just grown out of the 60’s and stood outside the
gate, luggage in hand, with no idea whatsoever of where to go in a world
so cruel. They had rock music, and it truly was their property as both
performers and listeners were of the same age, and now the performers
found themselves outside the same gate. A shared experience. We were all
heading for the great unknown. A unique moment in history that will
never repeat.
All you people who arrived later can appreciate the
music of course, it is there for everybody, no matter how old or young
you are. But there was a time. We’ll always have Paris. Here’s looking
at you, kids.
Contents: Tell Me Why/After the Gold Rush/Only Love
Can Break Your Heart/Southern Man/Till the Morning Comes/Oh Lonesome
Me/Don’t Let It Bring You Down/Birds/When You Dance I Can Really Love/I
Believe in You/Cripple Creek Ferry
Creedence Clearwater
Revival, Cosmo’s Factory (Fantasy) - Released: July 25, 1969
There’s nothing snobby about Creedence Clearwater
Revival. They are all lumberjack shirts and electric guitars with a
solid roots awareness sprinkled with John Fogerty’s obsessions with the
Mississippi river and the swamps around New Orleans. And never did they
do this stuff better than on “Cosmo’s Factory”, the group’s absolute
masterpiece.
Fogerty drops his markers all over the thing; he does
some extremely potent covers of Bo Diddley, Roy Orbison, Elvis Presley
and Marvin Gaye-tunes – and name drops Buck Owens for good measure. It’s
the entire American heritage distilled, spiced up with some testosterone
and thrown back on the market with a cheer in its chest.
The album celebrates freedom, integrity and the joys
of life, the essence of rock’n’roll, and updates it without dressing up
in strange costumes (and drum solos).
Contents: Ramble Tamble/Before You Accuse
Me/Travelin’ Band/Ooby Dooby/Lookin’ Out My Back Door/Run Through The
Jungle/Up Around The Bend/My Baby Left Me/Who’ll Stop The Rain/I Heard
It Through The Grapevine/Long As I Can See The Light
Simon & Garfunkel,
Bridge Over Troubled Water (Columbia/CBS) - Released: January 26, 1970
You can’t avoid this one even if it turned into a MOR
monster. It contains some of Paul Simon’s greatest songs, and Art
Garfunkel never surpassed his angelical contribution to them, especially
on the exceptional title track.
Contents: Bridge Over Troubled Water/El Condor Pasa
(If I Could)/Cecilia/Keep the Customer Satisfied/So Long, Frank Lloyd
Wright/The Boxer/Baby Driver/The Only Living Boy in New York/Why Don’t
You Write Me/Bye Bye Love/Song for the Asking
Black Sabbath, Black
Sabbath
(Vertigo) - Released: February 13, 1970
The thunder, the rain, the chiming church bells, a
fantastic introduction to the dark world of heavy metal. Black Sabbath
arrived with this one, and everything fits – the sleeve, the voice of
Ozzy, the fuzzy drone of Tony Iommi’s guitar, the muscular power of bass
and drums. A delight.
Contents: Black Sabbath/The Wizard/Behind the Wall of
Sleep/N.I.B./Evil Woman/Sleeping Village/The Warning
The Beatles, Let It Be
(Apple) - Released: May 8, 1970
It might well be their weakest effort, but it does
have three classic number one hits on it, and the rest isn’t that bad
either; try the redemptive “Two Of Us” for a start. In the Beatle
universe even lacklustre means great.
Contents: Two of Us/Dig a Pony/Across the Universe/I
Me Mine/Dig It/Let It Be/Maggie Mae/I’ve Got a Feeling/One After 909/The
Long and Winding Road/For You Blue/Get Back
Derek & The Dominos,
Layla And Other Assorted Love Songs (Polydor) - Relaesed: November, 1970
Eric Clapton went undercover, assembled a bunch of
musicians around him and started recording this fabulous mix of electric
blues and rock. When Duane Allman checked in it took off big time.
Contents: I Looked Away/Bell Bottom Blues/Keep on
Growing/Nobody Knows You When You’re Down and Out/I Am Yours/Anyday/Key
to the Highway/Tell the Truth/Why Does Love Got to Be So Sad?/Have You
Ever Loved a Woman/Little Wing/It’s Too Late/Layla/Thorn Tree in the
Garden
Grateful Dead:
American Beauty (Warner Brothers) - Released: 1. November, 1970
“The Working Man’s Dead” and “American Beauty” were
both released in 1970 and are the band’s most accessible albums by far.
Bluegrass, country, folk and rock’n’roll, it’s all here in a delightful
mix.
Contents: Box of Rain/Friend of the Devil/Sugar
Magnolia/Operator/Candyman/Ripple/Brokedown Palace/Till the Morning
Comes/Attics of My Life/Truckin’
